For audio meditations, please go here

Guided Meditation Scripts — click on icons to read
Bibliography catalog icon

Fiona Middleton

Concentration; a mineral gathering

Bibliography catalog icon

Monique McCrystal and Deja Redman

Harmony (with the whole)

Bibliography catalog icon

Naoco Wowsugi

The Sound of Zeroth

Bibliography catalog icon

Riane Tyler

Your Deepest Ocean Meditation

Bibliography catalog icon

Lily Cox-Richard and Michael Jevon Demps, Library of Radical Returns

Dowsing Bodies

Bibliography catalog icon

Tifani Kendrick

Breath-Centered Meditation to Connect with Creation

Bibliography catalog icon

GM Keaton

Points of Contact: Learning to Float

Bibliography catalog icon

Sara Smith

When humans dive, are we marine mammals?

Five considerations as we breathe.

Bibliography catalog icon

Nicolás Dumit Estévez Raful Espejo Ovalles

Meditation for Divers

Bibliography catalog icon

Rachel Hilton

Air and Water

Bibliography catalog icon

Brad Fox

Spectral Melt

Bibliography catalog icon

FOREST-BODY-CHAIR at Mildred's Lane


Julia O. Bianco, Rachel Schmoker, Sara Smith

Acknowledgments of the Honorable Guest


Gina Siepel, Ainsley Steeves, Samiha Tasnim, Lotte Kliros Walworth

I Have Questions


Ruby Waldo

Untitled 


FOREST-BODY-CHAIR is a project of RAY (the collaborative team of Gina Siepel and Sara Smith), using wooden chairs as an occasion to explore entwined ecological, embodied, and social questions connected to their construction and use. A three-week workshop version of FOREST-BODY-CHAIR at Mildred’s Lane in July 2021 brought together participant-fellows and guest artists for conversation and experimentation across somatic, greenwood construction, and fieldwork practices. Meditation Ocean was introduced into the session, allowing for additional associations to be made between forests and oceans, as well as contemplation of breath as an environmental process and metaphor. Participants were invited to develop meditation scripts collaboratively or on their own. 

Let’s take a moment to tune into breathing. Notice ourselves inhaling and exhaling. Feel the relationship between lungs, ribs, spine. Feel ourselves breathing in the space where we are. Breathe in; breathe out…

 

Breathing in, ask: When humans dive, are we ​​marine mammals? Breathing out, Consider:

 

Humans are mammals. When in the ocean, we can certainly be said to be aquatic, at least temporarily. Certainly “of or relating to the sea.” Certainly “connected with,” and “happening in” the sea. Certainly, the sea is in us.

 

Marine mammals, evolutionarily, are those that have chosen the water. They are our relatives who came with us from ocean to land, then returned to ocean. No thank you, they said. We will swim.

 

Pinnipeds are “flipper footed.”

Cetaceans can not survive on land. They have “many adaptations” for aquatic living.

Sirenians are named for sirens: half women, half fish.

Polar bears, lastly, are marine mammals. Fissipeds. They are dependent on the waters, but “least adapted” to them, evolutionarily.

 

Are humans marine mammals, when in the sea?

 

***

 

 Breathe in; breathe out.

 

***

 

Consider breath.

Dolphins and whales have smaller lungs than humans (relatively). But they breathe better (excellent exhalers). They breathe less often than humans, and store more oxygen in their bodies.

 

Breathing in, I feel my lungs; I fill my lungs with ease.

Breathing out, I feel my lungs, I release what is not needed.

Breathing in, I feel my lungs; I fill my lungs with ease.

Breathing out, I feel my lungs, I release what is not needed.

 

***

 

Consider structural support.

Most mammals have the same number of vertebrae and ribs. In fully-aquatic cetaceans, these structural supports have evolved to enable smoother swimming, and greater flexibility in the water, away from the necessary structures of terrestrial stability.

 

Breathing in, I feel my spine and ribs; I feel the structure they offer.

Breathing out, I feel my spine and ribs; I feel how they support me in water, differently from on land.

Breathing in, I feel my spine and ribs; I feel the structure they offer.

Breathing out, I feel my spine and ribs; I feel how they support me in water, differently from on land.

 

***

 

Consider comfort.

Mammals maintain a core body temperature. Marine mammals manage extreme conditions underwater by migrating to more hospitable locations, and by having physically evolved thick fur like sea otters, or blubber for insulation, like walruses or manatees.

 

Breathing in, I notice the temperature outside my body, how it affects my physical and mental experience.

Breathing out, I notice the warmth inside my body, how I carry it with me.

Breathing in, I notice the temperature outside my body, how it affects my physical and mental experience.

Breathing out, I notice the warmth inside my body, how I carry it with me.

 

***

 

Consider sound.

Sound travels more efficiently underwater than light. Hearing is a matter of life and death. Three bones in the middle ear—the malleus, the incus, and the stapes—transmit sound to the inner ear in all mammals.

 

Breathing in, sounds come to me.

Breathing out, I hear where I am.

Breathing in, sounds come to me.

Breathing out, I hear where I am.

 

***

 

Consider language.

Orcas have culturally-specific behaviors and languages, depending on their pod of origin. Dolphins use distinctive whistles to identify and distinguish individuals. They respond when called.

 

Breathing in, I remember those who are important to me.

Breathing out, I know their names.

Breathing in, I remember those who are important to me.

Breathing out, I know their names.

 

When humans dive, are we ​​marine mammals? Are humans marine mammals, when in the sea?

 

 


pronunciation:

 

Cetaceans: Set-AY-tions

Sirenians: SIRE-IN-ians

malleus, incus, stapes: MALeus, INK-us, STA-pees

Sara Smith

When humans dive, are we marine mammals?

Five considerations as we breathe.